Presented in conjunction with the exhibition Re:Working Labor, Image Employment presents a selection of recent moving image works that investigate various modes of contemporary labor and production. Curated by Aily Nash and Andrew Norman Wilson, the program explores the growing confluence of human and machinic technologies, corporate lifestyle, globalized capitalism and its extraction and exploitation of workers and the environment, and the psychic effects of these forms of labor. Nash introduces the program and joins Re:Working Labor’s co-curators Daniel Eisenberg and Ellen Rothenberg in an open discussion afterward.